Prophets of the Hood: Politics and Poetics in Hip Hop | 
enlarge | Author: Imani Perry Publisher: Duke University Press Category: Book
List Price: $22.95 Buy New: $13.00 You Save: $9.95 (43%)
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Rating: 3 reviews Sales Rank: 176104
Media: Paperback Number Of Items: 1 Pages: 248 Shipping Weight (lbs): 0.5 Dimensions (in): 8.9 x 6.1 x 0.7
ISBN: 0822334461 Dewey Decimal Number: 782.421649 EAN: 9780822334460 ASIN: 0822334461
Publication Date: 2004 Availability: Usually ships in 1-2 business days
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Product Description At once the most lucrative, popular, and culturally oppositional musical force in the United States, hip hop demands the kind of interpretation Imani Perry provides here: criticism engaged with this vibrant musical form on its own terms. A scholar and a fan, Perry considers the art, politics, and culture of hip hop through an analysis of song lyrics, the words of the prophets of the hood. Recognizing prevailing characterizations of hip hop as a transnational musical form, Perry advances a powerful argument that hip hop is first and foremost black American music. At the same time, she contends that many studies have shortchanged the aesthetic value of rap by attributing its form and content primarily to socioeconomic factors. Her innovative analysis revels in the artistry of hip hop, revealing it as an art of innovation, not deprivation.Perry offers detailed readings of the lyrics of many hip hop artists, including Ice Cube, Public Enemy, De La Soul, krs-One, OutKast, Sean “Puffy” Combs, Tupac Shakur, Lil’ Kim, Biggie Smalls, Nas, Method Man, and Lauryn Hill. She focuses on the cultural foundations of the music and on the form and narrative features of the songs?the call and response, the reliance on the break, the use of metaphor, and the recurring figures of the trickster and the outlaw. Perry also provides complex considerations of hip hop’s association with crime, violence, and misogyny. She shows that while its message may be disconcerting, rap often expresses brilliant insights about existence in a society mired in difficult racial and gender politics. Hip hop, she suggests, airs a much wider, more troubling range of black experience than was projected during the civil rights era. It provides a unique public space where the sacred and the profane impulses within African American culture unite.
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| Customer Reviews:
Incomplete December 11, 2007 2 out of 7 found this review helpful
To write a book about rap and hip hop, and to not once mention homophobia, is an extremely glaring oversight.
Brilliant Book August 25, 2007 3 out of 3 found this review helpful
Imani breaks down the hermeneutics of hip hop with the same detail to nuance and complexity and rigor that a Greek Scholar devotes to Paul's Epistles or Plato's Republic. I agree with Cornel West: there isn't a better book on hip hop out there. She is both critical of Hip Hop's excesses as well as appreciative of its raw Dionysian energy. After reading it, I'm convinced that Imani will always be the smartest person in the room. I will use this for my Hip Hop and Urban America course.
Excellent. A MUST read for anyone. February 23, 2006 0 out of 9 found this review helpful
Imani Perry is a wonderful writer and analyst. Her book is remarkable in its approach to the subject of Hip Hop's role in the black community.
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